french

spanish

.
Karmelo Bermejo contact

Fiscal Canvas


The buyer is challenged not to declare de acquisition of the piece and the gallery not to declare its sale. The Fiscal Canvas is an art work that supports other art works. If another art work takes that support, it must be fiscally treated the same way.

Linen woven on linen, reading “Undeclared Income”


162 x 162 cm


2013

Blank

Blank canvas made of solid white paint



17,8 x 14,1 x 2,6 cm

2012-2013

For the work titled “

 

 

“ * the funds granted by the Spanish bank Santander to make an art work were used to speculate with Bankia shares. The capital gains were assigned to the purchase of all the seats of a scheduled flight departing from Europe and bound to Africa, so that it flew empty.

During the summer 2012, in the middle of the euro zone crisis, the Spanish state took control of the Spanish banking conglomerate Bankia, whose shares made its shareholders lose 90% of the money they had invested. In this context, the shares’ value varied strongly, raising up to 30% and then going down deeply during the very same day. This volatile scenario caused by the Hedge Funds of the City of London operating the shares, kept on for several days. It was then when the total amount of the funds granted by the Santander bank was used –through the Botín Foundation– to trade the shares, buying Bankia securities with a raising trend within the day and closing with benefits over its value the next day. The capital gains were assigned to purchase the seats of a scheduled flight in high season that took off in the night of the 24th August, at 11.30 pm, from Barcelona to Tunis, so that it flew its way empty.126 boarding passes, framed according to the position of each seat inside the plane.

Five receipts of the Stock Market operations.

17,8 x 14,1 x 2,6 cm each one

2012-2013

*126 spaces, as many as empty seats.

 

 

" * The funds granted by the Spanish bank Santander to make an art work were used to speculate with Bankia shares. The capital gains were assigned to the purchase of all the seats of a scheduled flight departing from Europe and bound to Africa, so that it flew empty. 2012 126 boarding passes, framed in two panels.

*126 spaces, as many as empty seats.

 

126 boarding passes, framed in two panels 208.5 x 48 cm

Video HD that gives evidence of the flight.

 

 


 

 

Theological Particleboard. Particleboard made of 1000 wooden crosses †, bought in the religious craft shops in the surroundings of the Cathedral of Santiago de Compostela.

Madera aglomerada 238 x 35 x 2 cm
Karmelo Bermejo 2012

This piece challenges its owner to use it as raw material like a common board. When the board is exhibited, two labels are placed next to the piece. One displays information about the title, technique and author of the board, and the other one informs about the title, technique and authorship of the usage made of the board as conceived by the possessor. The board is signed by Karmelo Bermejo with invisible ink, in order not to interfere with its usage. A video that documents the process can be accessed on the internet through a password which is only provided to the owner of the work:

Duration of the video: 27 min.


french

spanish

contact
-x by Karmelo Bermejo at until 24th June

-x. The lot will be knocked down to the highest bidder at auction, in order to be burnt. The money will be burnt by its owner at the Director’s office behind closed doors, x being the amount to be burnt. The article to be sold at auction is a lot of false false banknotes of public money with two authentic reverse sides each one, manufactured manually by the Director using the money of the centre he leads. The lot is presented as a unit of solid banknote on the floor, the spectator contributing to its spoiling.

Solid banknote, Ø 10 cm 2012


. by Karmelo Bermejo at

 


Museification

Admission Fees of the Guggenheim Museum Bilbao Imposed on Museum of Contemporary Art Vigo. The intervention on the Museum's fees involved making the usual entrance fee to the Museum more expensive - it was and is free before and after the intervention - thereby generating an extraordinary revenue for the public treasury and, at the same time, a significant decrease in the number of visitors.


Admission Fee.
Type of Visitor                     Price
Senior citizen                       7.50 €
Adult                                   13.00 €
Student < 26                         7.50 €
Groups                                10.00 €

Stubs of all the entrance tickets issued by the Museum for entering the exposition rooms.
152 original stubs, copies for the issuer. 35 x 305 cm.
Karmelo Bermejo 2011


<
Solid Gold Nugget Painted in False Gold
Pure gold and acrylic imitation gold paint
2 x 1,5 x 0,5 cm
9,5 grs
Karmelo Bermejo 2011

Transparency 0
Solid Lead Replicas of the Art Works in the Private Collection of the Director of the Museum
Solid lead, 62 x 104 cm
Solid lead, 36 x 22 cm
Solid lead, 42 x 33 cm
Solid lead, 37 x 37 cm
Solid lead, series of 12, 60 x 60 cm each
Solid lead, diptych, 53 x 68 cm each
Karmelo Bermejo 2011

0
Reimbursement of the Funds Awarded by the Ministry of Culture Due to the Non-Realisation of any of the Art Works for which They Were Intended
Official document and bank document
Karmelo Bermejo 2011

+ 0
Payment of the Interests Incurred by a Delay of One Year in the Reimbursement of the Funds
Official document and bank document
Karmelo Bermejo 2011

Postcolonial Layer
Pillaged Pre-Columbian Artefact Acquired with Public Money at an European Auction, Subsequently Covered in a Patina of Fake Antiquity
Pre-Columbian artefact dated ca, 500-300 BC and artificially aged with patina, 35 cm in height
Karmelo Bermejo 2011

Jacuzzi Installed in the Director’s Office with the Funds of the Museum He Runs
Jacuzzi, 170 cm
Karmelo Bermejo 2011

Attachment
Stuffed Bull’s Head Turned 180º and Embedded in a Wall
Stuffed bull’s head 95 x 60 x 85 cm, wood 100 x 60 cm
Karmelo Bermejo 2008-2011

- 0
Flagpole Turned 180º and Stuck into the Ground
Steel flagpole, height 2.30 m, base ø 30 cm
Karmelo Bermejo 2011

- 10.000

Ten thousand euros from the Botín Foundation buried.

The Botin Foundation is helmed by Emilio Botín, who is also the
President of Banco Santander. Action carried out in the street in
front of the entrance of MARCO, the Museum of Contemporary Art
of Vigo, Spain.
10,000 € and bronze plaque
Karmelo Bermejo 2011

A video that documents the process can be accessed on the
internet through a password which is only provided to the owner of
the work


·

Punctuation in the title of the exhibition.
Variable measures.
Karmelo Bermejo 2011


contact

Interview

All the works of Karmelo Bermejo are accompanied by a transparent Certificate of Authenticity, printed and signed with
invisible ink.

contact